![]() His PTSD from war is such that he binds his arms and feet with duct tape before sleep to prevent injury in the throes of his night terrors, which makes escape difficult when a presumed anti-immigrant fanatic sets fire to the place and he barely makes it out intact. ![]() In the present day, Tomaz leads a rootless existence picking up odd gigs as a day laborer while living in a squat with other refugees. In short order, two key things transpire, which will become important in the film’s climax: Tomaz discovers a small carved figurine under the topsoil in the forest-the titular object-and a distressed woman sprinting towards his outpost enters his orbit. As the film opens, Tomaz is manning a checkpoint in solitude on a little-traveled road miles from the nearest village. Plus, Garai is expectedly hyper-attentive to the modulations of her fellow actors’ performances and Amulet proves a dazzling showcase for both Carla Juri and Alec Secareanu, who seal the action.Īmulet unfolds in two intertwining timelines: Tomaz’s (Secareanu) past as a soldier in an unnamed foreign conflict, and in the now as an immigrant living in London. It’s an uncommonly confident outing for a first-time feature director. Ruminating on the themes of sin, accountability, irrevocable regret and gender, the multi-layered feminist horror unspools with great finesse with Garai leading the charge. The views expressed are his own.įollow Yahoo Lifestyle Singapore on Facebook.Actress-turned-filmmaker Romola Garai’s Amulet trumpeted her arrival as an audacious new visionary at this year’s Sundance Film Festival. You can find him on social media as Optimarcus and on his site. ![]() He’s also a Transformers enthusiast and avid pop culture scholar. Marcus Goh is a Singapore television scriptwriter, having written for “Police & Thief”, “Incredible Tales”, “Crimewatch”, and “Point of Entry”. Should you watch this at weekend movie ticket prices? Yes, unless you disliked the original “Blade Runner”. Should you watch this at weekday movie ticket prices? Yes. Nevertheless, it’s definitely worth watching. However, all these come at a price, which is the long running time. “Blade Runner 2049” is a magnificent film that delivers on all three counts - story, visuals, and characterisation - while still managing to be a worthy sequel to a film set two generations ago. Several other scenes with Rick Deckard (Harrison Ford) are also particularly lengthy without providing a specific payoff, and add to the awkwardly long runtime. While they may be aesthetically pleasing, they aren’t particularly energetic or interesting, and could have been cut for brevity. Several scenes, especially at the beginning, are meant to set the mood and tone of the film. Despite the plot and visuals, the film doesn’t feel like it warrants such a long running time, especially since it telegraphs certain plot twists way ahead of time, while not adequately explaining other reveals properly. “Blade Runner 2049” comes up to almost three hours, so it’s advisable to take a toilet break prior to the film for those with smaller bladders. It is rated NC-16.īlade Runner 2049 (Sony Pictures Releasing) It stars Ryan Gosling (K), Harrison Ford (Rick Deckard), Ana de Armas (Joi), Sylvia Hoeks (Luv), Robin Wright (Lt Joshi), Mackenzie Davis (Mariette), Carla Juri (Dr Ana Stelline), Lennie James (Mister Cotton), Dave Bautisa (Sapper Morton), Jared Leto (Niander Wallace), and Barkhad Abdi (Doc Badger), with a cameo by Sean Young (Rachael). “Blade Runner 2049” is directed by Denis Villeneuve and written by Hampton Francher, with additional screenplay credits for Michael Green. A replicant-hunter, known as a blade runner (who is also a newer-model replicant himself), stumbles across a horrifying secret that could change the fate of the world, and seeks out a former blade runner in his quest for answers. The film takes place in a futuristic world where artificially created, physically-enhanced humans known as replicants have been integrated into society with regular humans, with new models of these replicants constantly being released in the same fashion as technological products.
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